Reviews
As La Musica in Orfeo with Chicago Opera Theater
“One was struck by the shining vocal grace of Thea Tullman Moore (La Musica).”
— John von Rhein, Chicago Tribune
“Outstanding in the supporting cast [is] Thea Tullman Moore as a lively embodiment of La Musica, who also looks and moves well onstage.”
— Paul Griffiths, The New York Times
“Soprano Thea Tullman Moore, as Music herself . . . sang first and brightest and offered so much hope.”
— Justin Davidson, NY Newsday
“There were attractive portrayals by . . . Thea Tullman Moore (poised as Music herself).”
— John W. Freeman, Opera News
“The young cast was outstanding. As La Musica, Orfeo’s mistress of ceremonies, Thea Tullman Moore was both sinister and seductive.”
— Wynne Delacoma, Chicago Sun-Times
As the Assistant in Aethelred the Unready at Merkin Hall
“Among the singers, the young soprano Thea Tullman Moore was outstanding, with a crystalline voice and natural stage presence.”
— Barrymore Laurence Scherer, The Wall Street Journal
“Thea Tullman Moore was a charming Assistant.”
— Brian Wise, American Record Guide
As Lucia in the Rape of Lucretia with Opera Festival of New Jersey
“Thea Tullman Moore serves notice of exceptional stratospheric ease and timbral sweetness as Lucia.”
— Martin Bernheimer, Financial Times
“Thea Tullman Moore displayed a gorgeous coloratura as the maid, Lucia.”
— Albert H. Cohen, Home News Tribune
As Patience in Gilbert & Sullivan’s Patience at the Carolina Theater
“Thea Tullman Moore . . . sang rhapsodically. With extensive credits elsewhere, hers is unquestionably a voice that should be heard again and again.”
— Carl J. Halperin, Classical Voice of North Carolina